Showing posts with label bbc night. Show all posts
Showing posts with label bbc night. Show all posts

Saturday, December 5, 2015

IN WHICH The Girl Breaks Codes

BBC Night - the night in which I watch British shows with my grad school friends - had hit a lull for a few months. We had run out of episodes of the shows we often watch and hadn't come across a good, new one yet. Instead, we had spent a couple months of our get togethers re-watching mini-series we had already seen and trying out dissatisfying shows. But then we read this description on Netflix: "When former codebreaker Susan Gray spots a hidden pattern in a series of murders, she enlists her wartime friends to try and track down the murderer." Codebreakers! Smart women working together! Crime solving! We immediately knew The Bletchley Circle was the show for us.


While on the surface The Bletchley Circle appears to be a show about a group of women investigating a crime on their own, the show mainly revolves around the after-effects of war. We are first introduced to the four main characters when they work in Bletchely Park, the British government's site for codebreakers during WWII. I think one of the reasons I was so drawn to the show was because I loved The Imitation Game, and you can see the Turing machine working away in the background. A German Enigma also becomes useful at one point in the show. Due to their high intelligence, these women worked out of Bletchley finding patterns in Nazi communications and were instrumental in the war.

However, the timeline quickly jumps forward seven years. The war is long over and lives have returned to "normal." We get to see how differently people react to life after the war, and how both men and women are affected. Susan, the main character played by the wonderful Anna Maxwell Martin (see her in North and South, Bleak House, Death Comes to Pemberley), has since become a housewife and mother. Her husband is a vet whose leg was injured by the war. Within this one marriage, we see two drastically different reactions to the end of the war. Susan's husband relishes the quiet, almost boring, job that he now has with the government. The trauma of the war and his handicap has led him to avoid risks of any sort in his current life. Susan, on the other hand, misses the excitement of the war. She's genius-level smart, but her intelligence was only considered useful during the war. Once the war ended, she had to return to a more traditionally female role. On top of that, Susan can't even tell anyone about her important role in the war due to the Official Secrets Act. Her husband seems to have never noticed that she's smarter than the average crayon, and once this becomes obvious, he is clearly emasculated by the concept.


We see an interesting juxtaposition of ideas about women as Susan starts her investigation of a series of murders based on patterns she notices in the news reports. When she first introduces the idea to her husband, he thinks she is being ridiculous, but the only way she can get someone higher up to listen to her is through her husband. To placate her, he uses his government connections to get a meeting with the police. The police inspector is actually willing to give her the time of day because of his suppositions about her part in the war, being a military man himself. So again we see a respect for women's intelligence when related to war, but rarely outside of it. Of course, when her first clue doesn't pan out, no one will give her the time of day a second time. However, this gives her a great excuse to collect her former codebreaking friends and solve it themselves.

The murder mystery, without giving too much away, also ends up relating back to the war. This time we see the disturbing psychological effects war can have on people. A man who probably had some issues to begin with is then traumatized by a horrifying event in the war. Seven years later, he is still reacting to that trauma. In addition, the show portrays what people within the military might do to protect their wartime secrets.

Overall, I recommend The Bletchley Circle not only because it has an interesting mix of characters and mystery, but also because it takes an good look at how war doesn't end when the fighting stops and the position of women both during and after WWII.

Warning: The first series of The Bletchley Circle is excellent, and the first two episodes of Series 2 are good, but stop there. Things fall apart in the last two episodes of Series 2. It's best to pretend those don't exist.

Tuesday, September 9, 2014

IN WHICH The Girl Learns the Killer

Finished Broadchurch last night. Brilliant. Watch it. BBC Night lasted until nearly midnight because we had to finish it. Exhausted. That's all for today.

P.S. Because of the David Tennant connection, I will also provide you with this funny video. I feel the teacher's pain. Can I shrink my own students into action figures using a sonic screwdriver?

Thursday, August 21, 2014

IN WHICH The Girl Tries to Solve a British Murder

Once a month, I get together with a couple friends from grad school for BBC Night. To clarify, BBC here stands for British Broadcasting Network, as I've been informed it has dirtier implications as well. Our BBC nights generally involve thai food, a decent amount of wine, and the viewing of a British television show.

You should know that I adore British television. I love the accents, the underhanded sarcasm, the wit (Sherlock), the focus on the past (Downton Abbey and every mini-series of a classic novel), the ridiculous of some (Doctor Who), the darkness of others (Luther), or the overall quality of the shows. I love British literature for many of the same reasons. As a teacher, we are observed in the classroom by our higher ups every once in awhile. Last fall, the person who observed me informed me that I had a very subtle but snarky wit when I lectured (I wasn't really sure if this was a good thing or not, but he seemed to think it was entertaining). He asked me where that snark came from, and I responded that I read a lot of British literature. He just nodded like that was a perfectly acceptable response.

So during the course of our BBC nights, which have now been going on for several years, we have watched a large variety of shows: every episode of Sherlock, Downton Abbey, and Luther, plus some Doctor Who, Coupling, Top of the Lake, and at least two versions of Jane Eyre. Last night we started watching Broadchurch, which I had heard was good but knew very little about. So far, it's excellent. The show starts with the murder of an eleven year old boy in a small close-knit community. Yes, not the happiest of topics, but intriguing. The season follows the investigation of this one murder. We have watched three out of the eight episodes in the first season, and I quite literally have no idea who committed this murder. Like all small town dramas, everyone knows each other, but they all have secrets. Every character is suspicious in one way or another, even the kids. I appreciate the fact that the killer is not instantly recognizable. See the trailer below:


The show has a good balance of suspense, drama, and emotion with some wonderful actors. I'm especially happy to see David Tennant, my favorite doctor for you Whovians. You will probably start to notice a pattern here, but I have two main British loves: Benedict Cumberbatch and David Tennant (Idris Elba ranks pretty high as well). While Tennant doesn't have the effervescence and hyperactivity here that he portrays in Doctor Who, he taps into his darker (and more haggard) side to represent the lead detective on the case. He's clearly struggling with both his own conscience, clues point to a past case gone bad, and some sort of drug or medical issue that hasn't been revealed yet. However, I did question why every lead detective in this type of murder mystery has to be both physically and mentally damaged. Granted, dealing with murder on a regular basis would probably take its toll. Tennant stars in the American remake of the show as well, but listening to him with an American accent seriously disturbs me. I think I'll just stick to the British version.

Overall, I'm totally hooked on Broadchurch at this point. Sadly, I need to wait three more weeks for our next BBC night to watch the rest. It's truly considered a betrayal to sneak ahead (though we've all been known to do it at one point or another).